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#301
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![]() A Guy Walks Into A Bar ![]() Группа: Админы Сообщений: 17070 Регистрация: 12.4.2007 Пользователь №: 6385 Награды: 11 ![]() |
Джей Джей утвержден на роль режиссера седьмого эпизода ![]() Официальный сайт представил Джей Джея Абрамса в качестве режиссера седьмого эпизода "Звездных войн". "Это просто потрясающе, что именно Джей Джей возглавит съемки новых Звездных войн", - заявила в пресс-релизе Кэтлин Кеннеди, - "он идеально подходит для этой роли. Мало того, что он потрясающе талантлив, так он еще на интуитивном уровне понимает Сагу. Он понимает важность опыта Звездных войн и приложит все грани своего таланта для создания незабываемого зрелища". "Я был очень впечатлен предыдущими работами Джей Джея в качестве режиссера и рассказчика", - добавляет Джордж Лукас, - "мы сделали идеальный выбор, будущее Звездных войн не могло оказаться в более надежных руках". "Это огромная честь для меня, стать частью новой главы Звездных войн, и работать совместно с Кэти Кеннеди и этой потрясающей группой людей", - рассказывает Абрамс, - "Возможно, сейчас я еще более благодарен Джорджу Лукасу, чем в детстве". Вместе с Джей Джеем к работе над "Звездными войнами" приступят его давний соратник Брайан Берк и студия Bad Robot. Также в проекте в качестве консультантов задействованы Лоуренс Касдан и Саймон Кинберг. Для Лоуренса это далеко не первый случай работы на Lucasfilm, он принимал участие в создании сценариев к пятому и шестому эпизодам и первому "Индиане Джонсу". Кинберг трудился над "Шерлоком Холмсом" и "Мистером и миссис Смит". |
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Сообщение
#302
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![]() Trust the Force ![]() Группа: Ветераны JC Сообщений: 14851 Регистрация: 14.7.2006 Пользователь №: 3009 Награды: 9 Предупреждения: (10%) ![]() ![]() |
![]() Выжимка из недавнего интервью с Джей Джеем. Какой же он все-таки классный - в первую очередь, как ЗВ-фанат! Цитата “How do we make this movie delightful?” That was really the only requirement Larry and I imposed on each other: The movie needed to be delightful. It was not about explaining everything away, not about introducing a certain number of toys for a corporation, not about trying to appease anyone. This has only ever been about what gets us excited.
[...] What I’m excited about is that the movie itself feels like those teasers and not like the movie is one thing and the teasers are something else. [...] It’s very easy to love “I am your father.” But when you think about how and when and where that came, I’m not sure that even Star Wars itself could have supported that story point had it existed in the first film, Episode IV. Meaning: It was a massively powerful, instantly classic moment in movie history, but it was only possible because it stood on the shoulders of the film that came before it. There had been a couple of years to allow the idea of Darth Vader to sink in, to let him emerge as one of the greatest movie villains ever. Time built up everyone’s expectations about the impending conflict between Luke and Vader. If “I am your father” had been in the first film, I don’t know if it would have had the resonance. I actually don’t know if it would have worked. [...] I cannot say enough about what George was able to do with that first movie, let alone the next ones. Forget how incredible it looked, forget the technology, forget the humor of it, the heart, the romance, the adventure—all the amazing moments that made us love it. Think about what he was able to stir up, the questions he was able to ask—exactly the right questions—the idea that he was able to create a world that clearly went so far beyond the boundaries of what we were seeing and hearing. This, to me, is one of the greatest things about Star Wars. [...] You know the moment when you reconnect with someone after years apart? You see the lines on their face, you think, oh, they’ve lived 10 years! Or when you see someone has a scar they didn’t have—physical or emotional—you recognize it. It lets you know it’s not two minutes later. It was important that Han Solo be Han Solo but not feel like he’s playing a 30-year-old dude. When you’re 70, you will have lived a different set of experiences. That has to be apparent in who he is. Harrison was required to bring a level of complexity that a 30-year-old Han wouldn’t be required to have. [...] So: John Williams! Oh my God! First of all, forget his talent and his achievement. As a person, he’s the guy you want to know more than anyone. He is the sweetest soul I’ve ever met. He’s like this jazzman who became one of the greatest composers of all time. He literally calls you “baby”! Like, “Hey, baby.” He calls me “J.J. Baby.” I waited all my life to meet someone who would call me that! [...] We knew we weren’t just casting one movie—we were casting at least three. That, to me, was the biggest challenge. When we met Daisy Ridley, when we found John Boyega, and then Oscar Isaac and Adam Driver came aboard, we got really excited. And yes, Daisy and John could work together, but what happens when Harrison’s in the mix? What will that feel like? If it doesn’t spark, it’s a fucking disaster. Yes, BB-8 is a great character, amazingly puppeteered, but what will happen when he’s suddenly in a scene with C-3P0 or R2-D2? Will it feel bizarre? Will it feel wrong? Somehow it didn’t. When Anthony Daniels told me, “Oh my God, I love BB-8!” I said, “We’re going to be OK.” Because if he’s OK, it’s working. C-3P0 approves. -------------------- "Невинный блаженец" © D.G.
Ilaan vanished – and took all the sounds and sources of light along. Only Ilaan remained. Down on his knees, an obedient servant of the Force, just like all those months ago. It spoke to him – and he listened, without saying a word. Out of his silence, the sounds and images appeared, filling the space around them, giving the reality its meaning and weight, just like clean white cloth that gradually becomes heavy with blood when it covers the body. |
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Текстовая версия | Сейчас: 1.7.2025, 17:44 |